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dc.contributor.advisorTurner, Ronald A.
dc.contributor.authorTyan, Jaan-Ay
dc.date.accessioned2009-11-20T20:23:30Z
dc.date.available2009-11-20T20:23:30Z
dc.date.created2003-07-03
dc.date.issued2003-07-03
dc.identifier.otherTHESES D.M.A. .T952p
dc.identifier.urihttp://hdl.handle.net.ezproxy.sbts.edu/10392/253
dc.descriptionThis restricted item is available to students and faculty of the Southern Baptist Theological Seminary through the URI below.
dc.description.abstractThis dissertation offers a performer's guide, including fifteen Chinese art songs, to non-Chinese singers. Chapter 1 proposes the purpose, major concerns, and methodology of this study. Chapter 2 gives a brief introduction of the historical background of the development of Chinese art songs, including the influences from the Western world and from the inner social, political, and economic changes in China, Taiwan, and Hong Kong. Chapter 3 provides a phonetic system built up as a mixed system derived from two major phonetic schemes--the International Phonetic Alphabet and the Singer's Phonetic Alphabet Guide for Mandarin Chinese developed by Mei-Fung Kang Chi. Chapter 4 presents fifteen Chinese art songs, in which each song includes Chinese text, an International Phonetic Alphabet transcription, an English translation, a brief biography of both composer and poet, and an interpretative analysis followed by a musical score. Chapter 5 concludes the investigation with a brief summary of each chapter and three suggestions for further study.en_US
dc.language.isoen_USen_US
dc.subjectSongs, Chinese--History.en_US
dc.subjectComposers--China--20th century.en_US
dc.subjectTheses D. M. A.--Church music.en_US
dc.titleA performer's guide to selected Chinese art songs by twentieth-century Chinese composersen_US
dc.typeThesisen_US


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