| dc.description.abstract | This dissertation presents a musical drama for narration, choir, and orchestra.
First, it examines the definition and the history of musical drama and its influence on
Christian life from the perspective of theology and music ministry. Whereas the term
"musical drama" could have a broad meaning, it is defined here as a work in which
narration plays a major role while music seeks to enhance and reinforce the message of
the word, and even exegetes it. Hence the present work can be regarded as a musical
exegesis of the twelve biblical natives.
Second, this dissertation briefly explains the twelve pieces of the musical
drama regarding their theological meaning, musical devices, harmonic structure, and
symbolism. While some pieces are intended to mimic as real as possible the physical
sound and noise that must have been heard two thousand years ago, some other pieces are
intended to depict musically the psychological state of the characters. Frequently
symbolism is applied as a tool to describe the narrative.
Finally, it is notable that this work, if performed in various languages, can be a
powerful means for world mission; it could also enliven Christian souls; if it were to be
performed in a concert by live orchestra, a specific genre of Christian culture could be
initiated; this work also could be a meaningful resource for Christian education by
helping youth understand the biblical narratives easily. | en_US |
