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dc.contributor.advisorCoppenger, Mark T.
dc.contributor.authorCabal, Daniel Joseph
dc.date.accessioned2019-06-05T17:53:30Z
dc.date.available2019-06-05T17:53:30Z
dc.date.issued2018-11-16
dc.identifier.urihttp://hdl.handle.net/10392/5811
dc.description.abstractLeo Tolstoy’s aesthetic theory in What is Art? defines art as the transmission of emotion through the creation of an object. Awareness of Tolstoy’s history and beliefs extends a more generous understanding to some of his controversial evaluations of famous artworks, but remaining problems with his theory require substantial enough changes to result in a neo-Tolstoyan aesthetic. Although kitsch proves difficult to define and the variety of existing definitions are examined, Clement Greenberg’s understanding of kitsch particularly challenges Tolstoy’s aesthetic through denouncing features of art which Tolstoy celebrates. A conception of art grounded in a biblical ethics of emotion is presented that synthesizes these competing viewpoints. The resulting synthesis offers clarification on the essence of kitsch and suggestions on how to evaluate the worth of artworks.en_US
dc.subject.lcshTolstoy, Leo, graf, 1828-1910en_US
dc.subject.lcshAesthetics--Religious aspectsen_US
dc.subject.lcshArt and religionen_US
dc.titleA Neo-Tolstoyan Response to Kitschen_US
dc.typeElectronic dissertationen_US
dc.typeTexten_US
dc.contributor.committeeParker, James A.
dc.contributor.committeeCrookshank, Esther R.
dc.contributor.committeeBlount, Douglas K.
dc.type.qualificationnamePh.D.en_US
dc.publisher.institutionSouthern Baptist Theological Seminaryen_US
dc.publisher.departmentSchool of Theology


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